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I think that every movie lover that grew up in the 90s has a soft spot in their heart for the Scream franchise. None of the sequels were as good as the original (though Scream 4 was a very clever lambasting of modern horror tropes) but even they all had that self-referential, pop-culture obsessed magic that made the first so special. I used to think that part of the reason why they were so good was because of Wes Craven, but as hit or miss as the man has been in his career, I’m actually starting to be willing to give more credit to the franchise’s screenwriter, Kevin Williamson, and 1998’s sci-fi horror gem The Faculty has confirmed that suspicion.

I say this because even before I knew that The Faculty was written by Kevin Williamson (a fact that I didn’t discover until the end credits rolled), the film felt so similar to Scream yet I had trouble putting my fingers on exactly why. The Faculty is a science fiction horror flick in the vein of Invasion of the Body Snatchers, not a teen age slasher flick. It’s protagonists aren’t obsessed with horror movies. But, it’s clever self-aware protagonists felt related to Neve Campbell and her kin, and they had their own pop-culture saturated conversations. A film where the heroes weren’t easily replaceable drones, The Faculty was the hip sci-fi equivalent of Scream elevated even more by the tight direction of popcorn auteur Robert Rodriguez.

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After discovering that their high school is ground zero for an alien invasion, a ragtag group of high school students including geek Casey (Elijah Wood), goth Stoakely (Clea Duvall), and drug dealer Zeke (Josh Hartnett) decide to take the fight to the faculty of their school, who are quickly being replaced by alien imposters. When they discover that they may be the last pure human beings left in their town, the group has to find the original alien queen and destroy her to save the town but they quickly learn that not everyone in their group is as human as they think.

Much like the first Scream film, what makes The Faculty so immediately enjoyable is the instantly endearing and sympathetic cast. Although it’s quickly apparent that the film’s high school has a lot more problems than just an alien invasion (like almost psychotically violent bullies and cliques), the main characters seem well-rounded and smart. They act the way you’d act if your high school had been invaded by aliens. They aren’t just immediately setting themselves up to die. A key to a good horror film is that you care about the fates of the protagonists, and I found myself invested in seeing if Casey and the rest of the crew would make it to the end of the film.

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It also doesn’t hurt that the film has an almost ridiculously deep field of supporting players. I could name all of the future big talent in the film and take up several paragraphs in the process. To wit: Robert Patrick (Terminator 2), Laura Harris (Warehouse 13), Famke Jannsen (X-Men), Salma Hayek (Dogma), Piper Laurie (Carrie), Jon Stewart. And those are just the teachers. Well, Laura Harris is one of the kids now that I think about it. Throw in Usher, Jordanna Brewster, Wiley Wiggins, Danny Masterson, and others and this film was veritable who’s who of 90s talent. And they all delivered but special props must be given to Elijah Wood and Laura Harris.

Also, for a film from the late 90s, the special effects in the film aged remarkably well. Although there was occasionally an air of camp in the film, it was always in a fun tongue-in-cheek way and you had to know that certain moments were intentional visual throwbacks to classic sci-fi flicks like The Thing and Species. Very rarely did I find myself pulling out of the film because something was cheesy or particularly fake looking. As a matter of fact, I lost track of the number of times where the film made me say “holy s***” because of one especially gruesome moment or another. The film knew how to use gore to good effect.

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At the end of the day, The Faculty is pure smart popcorn fun. Much like last year’s criminally under-appreciated Cabin in the Woods, The Faculty proved my suspicion that one of the only ways to successfully do horror these days is to verge on deconstructing the whole genre. The Faculty isn’t exactly scary but it wasn’t meant to be. But it’s smart. Razor smart and while it may not have had the lasting cultural impact that Kevin Williamson’s Scream franchise had, I’m willing to go out on a limb and say that The Faculty is just as good as the first Scream and one of the last great gasps of the 90s horror renaissance.

Final Score: A-

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