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If your romance doesn’t break new ground or provide deep and true insight into the relations between man & woman (or whatever your romantic pairings are), your only hope of a watchable film is the spark of real chemistry between your stars. Love Is a Many-Splendored Thing is a fairly conventional “forbidden love” romantic drama, but the chemistry between William Holden and Jennifer Jones was sizzling and it made the film enjoyable despite the melodrama. Similarly, Penny Serenade is typical 1940s romance, but Irene Dunne made you wholly believe her love for Cary Grant (I’ve never believed Cary Grant’s interest in any woman on screen because he’s seemingly incapable of even pretending to be attracted to a woman). The African Queen transcends it’s dime-novel source material thanks to the fierce chemistry of leads Humphrey Bogart (To Have and Have Not) and Katharine Hepburn (Bringing Up Baby).

Director John Huston (perfect as the villain of Chinatown) brings a standard boy’s adventure tale to the big screen but, through sheer technical prowess and wonderful performances all around, pulls a gorgeous, almost lyrical tale of class, romance, and will from such meager starts. With one of the best performances of Bogie’s career (and the one that he would win his Oscar for) and an archetypal Hepburn turn, The African Queen isn’t a great film, but in the world of classic adventure movies, it’s hard to find one with more heart and sheer fun.

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After her minister brother is murdered by German soldiers during the early days of World War 1 outside of their African church, British missionary Rose Sayer (Katharine Hepburn) is forced to seek passage back to England with the help of rough-edged steamboat captain Charlie Allnut (Humphrey Bogart) on the titular African Queen. But, getting back to England will be more difficult than navigating the already dangerous rapids of the African river. Their only path back into British territory involves crossing a lake guarded by one of the most powerful gunboats in the German fleet.

There is nothing exceptional in the storytelling of The African Queen. The central romance hinges on the classic “rough and uncultured man is tamed by the strong-willed high class Lady” theme, and The African Queen plays zero games with that set-up throughout. The adventure is a series of set pieces where our hero and heroine almost lose their life but persevere, and the film doesn’t take many breaks to really allow these characters to breathe though a bit in the middle where Rose finally pours out all of Charlie’s gin that the movie lets you see some of the bite beneath Bogart’s  bark.

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But, The African Queen has to be a textbook example of how sheer filmcraft can overcome a conventional story (that also happens to be well-told despite its familiarity). The Technicolor photography still looks vibrant and beautiful 63 years later. It’s possible that you’ve never truly experienced the color green until you see this film in all of its remastered HD glory. The film’s major action set-pieces are something of a mixed bag because the sections that actually look like they were shot in Africa (much of the film was) make the green screen segments that much more embarrassingly dated and fake looking.

And, of course, Bogart and Hepburn make the most out of roles that are more caricature than character. As Rose Sayer, Hepburn crafts the type of character that I think of when I envision Hepburn (even if I had never seen this film before): strong-willed, middle-aged, spinster-ish with a romantic heart, and fiercer than any man on screen. Hepburn tends to bowl over her male leads with the strength of her personality, but in Bogart’s Allnut, she finally found a man as crazy and stubborn as her, and the emotional pyrotechnics as they match wits made the entire film worthwhile.

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Bogart didn’t live long past the shooting of this film. The African Queen was released in 1951 and he passed away from esophageal cancer in 1957, and part of me suspects that the rough, lean look Bogie has in this film can be attributed to the onset of his illness, and as one of the last great performances from one of Hollywood’s most iconic stars, The African Queen simply can’t be missed. At the end of the day, it never stops being a rousing adventure, but in an era where action movies had artistry, who can rightly complain?

Final Score: B+

 

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