The day that I get too old to enjoy children’s movies will be the day that my heart stops being capable of having simple, innocent fun. Anyone who’s read my reviews of Toy Story 3, The Iron Giant, or Howl’s Moving Castle know the fondness I hold in my heart for great children’s film-making, and when Pixar or Studio Ghibli are involved, we’re living through a family film renaissance. But, the mark of a great children’s movie is how much the adults in the audience can appreciate it, and though 1937’s Snow White and the Seven Dwarfs was a remarkable technical achievement as the world’s first full-length animated film, sitting through it’s actual story was an absolute, almost unbearable bore.
When I was watching the Blu-Ray re-release of Snow White (which impressively decided to not futz with the original film’s 4:3 aspect ratio by not awkwardly forcing a 16:9 schematic into the film), I was bowled over by the film’s artist attention to detail and the sheer scope and gamble that movie surely represented for the Disney studios. No one else had done anything like it before. Cartoons were meant for shorts, not movies, but Walt Disney wrung 90 minutes out of an animated story. And, the backgrounds and characters (except for the hideously drawn Snow White herself) are exquisite and well-crafted in a way that Disney rarely does anymore. Sadly, that didn’t make the actual plot of the film itself any more enjoyable.
If you are somehow unfamiliar with the plot of Snow White and the Seven Dwarfs, you’re either an amnesia just waking from a decades long coma or you’re an alien intent on infiltrating the human race. But, here goes. Snow White is a beautiful princess whose evil stepmother, the Queen, fears her stepdaughter’s beauty. With a magic mirror constantly telling her that she’s the most fairest woman in the land, the Queen is content to make her daughter’s life hell and to dress her as a hideous maid until one day the mirror changes its tune and tells the Queen that Snow White is now the fairest of them all.
The Queen, being the psychotic narcissist that she is, doesn’t take the news well. She orders the royal huntsman to escort the young Snow White off to the woods and then to kill her and remove her heart as a trophy. But, when the time comes, the huntsman can not do it and shows mercy on the young Snow White. Snow White is forced to flee into the woods away from the watchful eyes of her evil Stepmother, and in those woods, she stumbles upon the company of seven strange but lovable dwarfs who vow to keep her safe. But, the Queen’s vengeance knows no limits and she devises a plan with a poisoned apple to end Snow White’s life once and for all.
Words can not properly describe how irritating Adriana Caselotti’s voice is. That’s the woman who voiced Snow White, and it’s like if they took everything that made Judy Garland’s voice so iconic and wonderful and then made it grating like Jean Hagen in Singin’ in the Rain. She thankfully doesn’t talk all that much, but by the end of the film, I was cheering for the Evil Queen to feed her the poisoned apple because I didn’t want to hear her treacly sweet voice ever again. Her singing voice is alright, but most of the enjoyable musical numbers from the film were performed by the dwarfs anyway, but more on them in a second.
The movie’s story is so broad, the characterizations so thin, and the innocence of it so frustrating that it’s difficult for anyone bred on the Disney films of the 90s (like me) to be able to sit through the simplicity of this film’s tale. Until the dwarfs arrive, it lacks much of the trademark humor of a Disney film, and it’s painfully obvious that Snow White and the Seven Dwarfs was made for young girls and absolutely no one else was likely intended to enjoy it. Alongside the film’s artistic craftsmanship, the dwarfs are the only consistently enjoyable part of the film, and they add a much needed levity to the whole affair. There’s a reason why “Hi Ho” is still a classic of the children’s genre.
As dull and uninteresting as I found most of the film, I was able to sit through this thankfully brief film because of how gorgeous the artwork is. For what was the very first full-length animated feature, Disney already knew what they were doing, and their dedication to getting things right in an age before computers is incredible. I can’t even imagine the man hours that went into making this movie. So, although I have no intention of watching this film ever again (unless I have a daughter someday who forces me to), I can appreciate the momentous undertaking that Snow White and the Seven Dwarfs represented for Disney. And it’s that ambition that keeps this score from being even lower than it alraedy is.
Final Score: B-