It is rare for an American remake of a film to be remotely as good as the foreign film it’s based on, let alone be better. Let Me In is one of the only ones I can think of off the top of my head and it still isn’t the instant classic that Let the Right One In has become in my mind. Usually, American remakes dial down any sexual or disturbing content (barring violence) that made the original stand out, and because they almost never improve upon the original piece in any way, they are simply redundant at best and bastardizations at worst. With that said, am I a terrible person for thinking that The Departed is vastly superior to Infernal Affairs, the 2004 Hong Kong film it is based on?
I watched Infernal Affairs for my film studies class (where we’re watching nothing but gangster movies) and we’ll be watching The Departed next week (although I watched that film last semester during that several month hiatus where I wasn’t reviewing movies to work on my screenplays). And other than the film’s ending (no, I won’t spoil it for anyone. don’t worry), I’m not sure if I can name a single area where Martin Scorsese’s remake isn’t simply a much better product than this film. From the script, to the characters, to the direction, to the editing, to the cinematography, Infernal Affairs has now become in my mind the go to example of how a good story can become a great film when given to the right hands.
I will give the film credit for coming up with the clever story that is at both the heart of it and The Departed (although the latter so greatly expands on the themes and the characters that this film almost just seems like a sketch in comparison). Two different men are chosen to go deep undercover into the organizations of their boss’s biggest enemies. Lau Kin Ming (Andy Lau) is hired by the Triad to infiltrated the Hong Kong Police Department while police cadet Chan Wing Yan (Tony Leung) infiltrates the Triad. And as each goes deeper and higher into their undercover ops, their job becomes to find out who the mole is in their ranks.
And that’s really it. I’m going to keep on bleating on about how much better The Departed is than this film, but I’ve always thought of The Departed as one of Scorsese’s slightest films. It’s one of his films that relies the most on style over substance, but if The Departed is slight, Infernal Affairs is just anorexic. Although the film is a terrific example of non-stop intelligent pacing (the film really manages to ratchet the tension up and never let up right out of the gates), the characters are paper-thin, and you are given absolutely no reason to care about anyone involved. And when characters die or are betrayed or reveal shocking allegiances, none of it matters because you don’t feel any emotional attachment to the individuals involved.
The direction and editing of the film though are what lead me to think of this film as being so amateurish (although I suppose any movie would pale in comparison to something Martin Scorsese touched). The opening sequences of the film are an endless stream of cross-cuts which lend no sense of direction or meaning to the story and it took me far too long to even realize what was happening and who was good and who was bad. And the film employs so many cheesy scene transitions and unnecessary expository flashbacks (not to unseen events in the film but things that have already happened once already) that you begin to feel like the director doesn’t trust the audience’s ability to keep up with the action on scren.
I’m going to keep this review short and sweet. I enjoyed Infernal Affairs, and maybe, if I hadn’t seen The Departed first, I would have liked it a lot more. As it stands, Infernal Affairs is a good movie with a great concept, and it took a more talented creative team to really bring fruit to the story. If you like foreign cinema, it’s certainly a must see, and if you’re a big fan of its American successor, it’s interesting to see just how many of the scenes were lifted straight from this film. But ultimately, it’s just a serviceable action thriller.
Final Score: B