I’m not going to lie. This review is probably going to be a little short and a little hazy. This was the post that I was working on Friday when the power went out, and it’s been three days since I’ve watched any Angel, and I’ve seen one episode of a TV show I’m going to be reviewing (True Blood), a movie (you’ll see later), read a whole book (Catching Fire), and read a quarter of another (Mockingjay) since then. Obviously, there’s a lot of shit bouncing around in my head right now, and some things are going to get lost in the mix-up. I should have followed my gut-instincts about just writing the reviews in Microsoft Word and then copy & pasting them on to here, but I didn’t expect the electricity to be out the entire weekend. It was a bad gamble on my part. And now there are just a million stories, thoughts, critiques, and non-sequiturs just floating around my skull. We’ll see if I can’t get anything meaningful out of it. I tried to play the PSX Resident Evil today (and yesterday. I own a lot of PS 1 games on my PS3), and I discovered it to be nearly non-playable. If Chris Redfield is supposed to be an elite special forces soldier, why does he control like he took all of the world’s barbiturates at once? I don’t know what that has to do with Angel, but like I said, non-sequiturs.
This disc was very Darla-centric (except for the last episode and even then her presence weighed heavily on the proceedings). We finally discover what the plan with Wolfram & Hart concerning Darla and Angel ultimately was (I think because Holland Manners sort of implies later on that their plans are a little bigger than that). When they brought Darla back, she was brought back as a human. She’s no longer a vampire, and now she has a soul. Although you’d think that would mean she’d suddenly begin to feel guilty about the atrocities she committed as a vampire, it takes a while for any of that to set in, and initially, she’s still evil. Wolfram & Hart’s plan is to use Darla to give Angel “true happiness” and thus make him Angelus and use him as a force of darkness instead of a soldier for the Powers that Be. When Angel first sees Darla outside of his dreams, she pretends to be someone else to make Angel (and Cordy and Wesley) think he’s going insane. She even sets a trap to frame Angel for murder and further destroy his relationship with Kate Lockley (who finally returns to the series’ fold). However, by the end of the first episode, Darla is showing some stirrings of remorse and it’s clear that her conscience is returning. In the second episode, Angel takes a backseat (though still has plenty of screen time) as Wesley pretends to be Angel (to save Cordelia’s life) and agrees (at gunpoint) to protect the daughter of a wealthy magician/businessman. Meanwhile, Angel tries to get advice from a swami after he is unable to stop obsessing over the return of Darla and how to help her now that she has a soul (if she’s willing to be helped).
The third episode, entitled “Darla,” was the best episode of Angel yet (more on that later) and finally provided some much needed backstory for Angel’s sire (and I’m sure there’s more to come). Darla is beginning to snap under the weight of the guilt for the probably hundreds of murders she committed when she was a vampire. With the help of Lindsay (who continues to show signs that despite choosing Wolfram & Hart over the path of good, he’s not completely evil), she escapes Wolfram & Hart’s clutches and hooks back up with Angel. While Angel tries to help her come to terms with what she’s done over the years (and that the only way to deal with it is to accept what you’ve done and try to atone for your past sins), we get a series of flashbacks that chronicles Darla’s life before being turned (she was a prostitute dying of some terrible disease in the 1600s when she was turned by the Master), her early years gallivanting with Angel, Spike, and Dru, and her sense of betrayal when Angel was finally re-ensouled. However, by the end of the episode, Darla doesn’t choose redemption. She wants an easier path. She wants Angel to turn her back into a vampire which he refuses and she runs away. In the final episode, Angel’s obsession with what’s happened with Darla is stopping Angel Investigations from doing any business so Cordy and Wesley help Angel get what they think is an easy case: stopping a group of demons from robbing a mystic shroud from a museum. However, the mystic shroud is indeed mystic and its power drives anyone who comes near it crazy. When Kate gets on the case and thinks Angel is finally a criminal, she nearly gets what she wants when a crazy Angel (though he was actually faking it to save her life) feeds on her.
Like I said, I’ll try to keep this short because it’s been so long since I’ve really watched this. “Dear Boy” was probably the weakest episode of the disc but at a solid “B+” that’s okay. Julie Benz has been fantastic this season as Darla. Honestly, I might have said this in my last Angel review but I don’t remember so I’ll (possibly) say it again. She is infinitely more interesting and dynamic as the morally complex and dark Darla than she ever was as the very bland Rita onDexter. Having Trinity kill her off remains one of the ballsiest things that show ever did. I still haven’t really warmed up to Gunn on this show yet. He needs more backstory or something. “Guise Will Be Guise” was great because it was the episode where Wesley officially stopped being a putz (or at least a total putz) and became more of a bad-ass. Wesley has probably become my favorite character on the show so far. Which is so weird. Alexis Denisof has just really made the role his own and the writing of the character has become exceptionally sharp. Had it now been for the power outage, I probably could have written a whole paragraph about “Darla” but I’ll do my best. It was Tim Minear’s first directed episode, and it was a grand slam home run. The way that we saw both Angel and Darla (Angel in flashbacks) struggling with what it means to have a soul and ultimately taking different paths at the end of the day was very compelling. Also, we learned that Angel wasn’t instantly a paragon of good after getting his soul and in fact fed on humans to try and re-earn the trust of Darla for a bit after he got his soul back. “The Shroud of Rahmon” was myth-arc lite but it was cool to A) see a play on the heist film and also B ), you saw another of the many, many teases this season that Angelus could be returning any minute now. I would love to see that happen because David Boreanaz is always at his A-game when he’s playing Angelus.
Like I promised, this will be short (if you call 1300 words short). I still have three other posts to put up, and I’d like my movie review to be fairly in-depth because I think it’s going to shock people that I think so highly of the film. I want to save my energy for it so to speak. Anyways, after a rock start to this season of Angel, I actually thought the show really picked things up in this disc by providing the best episode of the series so far (even managing to edge out the excellent “I Will Remember You”) and two other great episodes (and one good ep). I’m really curious where this whole Darla story is going, and I’m wondering if Joss Whedon is just teasing us with all of these flashes of Angelus. He’d better not because that would be an abuse of his foreshadowing privileges otherwise. Next disc will finish us up with the home half of season 2 of Angel, and I’m feeling really good about where this season is going.
Final Score: A-